Newspaper Video Dissection: David Simon by The Guardian

Competent video for newspaper's websites has been a long time coming. Too often management has asked more of reporters and photographers without giving them the proper tools, training and time to be successful. Both The Guardian and The New York Times are leaders in investing money, time and talent in creating regular online videos. Together these two organizations have set an industry standard.

Let's look at an example from The Guardian, Australia Edition:

Writer David Simon in Australia

Watch: David Simon Interviewed by Guardian Australia posted November 1, 2013

This is a simple interview with writer David Simon shot in natural light. It appears this was shot with one stable camera and one roaming camera collecting establishing shots, detail shots, b-roll, and a second angle on Simon.

The crew for this shoot could have been as small as two people (including the interviewer), but more likely it was a three person crew. The audio on both Simon and the interviewer is essentially clean, and as we know 'good video with bad audio is bad video'.

The interview opens on a close up of Simon talking and they stay with this shot for over a minute. This is unusual for a short online video. It would make more sense if they didn't have establishing shots to set the scene, but as we see they have all those shots and yet they choose to stay on Simon, so it's obviously a deliberate choice. We can assume they did in an attempt to focus the viewer's attention on the content of what Simon is saying.


Detail Shot of David Simon's Shoe

Detail Shot of The Top Half of David Simon's Head

Detail Shots: An extreme close up of the top of David's head, and of his shoe used to cover edits.


B-Roll of the Coast

B-Roll of a Boat

B-Roll of a Bridge

B-Roll Footage: Shots of the coast, a boat and a bridge.


Establishing Wide Shot with Interviewer

Second Angle Establishing Wide Shot with Interviewer

Establishing Shots: These two short wide shots are the only glimpses we get of the interviewer.    

This video is an example of the basic elements of competent newspaper video: good audio, decent lighting, multiple cameras or angles, detail shots, establishing shots, b-roll and moving focus (a stylistic choice favoured by The NY Times).

I visited 'Weegee: Murder Is My Business' at the International Center of Photography yesterday and it was beautiful.

For an intense decade between 1935 and 1946, Weegee (1899–1968) was one of the most relentlessly inventive figures in American photography. His graphically dramatic and often lurid photographs of New York crimes and news events set the standard for what has become known as tabloid journalism. Freelancing for a variety of New York newspapers and photo agencies, and later working as a stringer for the short-lived liberal daily PM (1940–48), Weegee established a way of combining photographs and texts that was distinctly different from that promoted by other picture magazines, such as LIFE. Utilizing other distribution venues, Weegee also wrote extensively (including his autobiographical Naked City, published in 1945) and organized his own exhibitions at the Photo League. This exhibition draws upon the extensive Weegee Archive at ICP and includes environmental recreations of Weegee's apartment and exhibitions. The exhibition is organized by ICP Chief Curator Brian Wallis.

This exhibition was made possible with support from the ICP Exhibitions Committee, The David Berg Foundation, an Anonymous donor, and with public funds from the New York City Department of Cultural Affairs in partnership with the City Council. The touch screen content was produced by Documentary Arts in association with Octothorp Studio.